15,565 Royalty-Free Audio Tracks for "Good Sounds"

The Christian hymn "All for Jesus" from Stainer's oratorio The Crucifixion

Movement V, "Basse et Dessus de Trompette" of Suite du Premier Ton (Suite in C major [literally "on the first tone"]) from Louis-Nicolas Clérambault (1676–1749) 1710 book of organ compositions, Livre d'Orgue. Basse et Dessus de Trompette, pièce pour orgue (for pipe organ), de Louis-Nicolas Clérambault (1676–1749)

sample of sound produced by a güira

Author: Jaser 12345, made and released by myself into the public domain.

The pelog selisir scale of Balinese gamelan gong kebyar, played on a gangsa.

Modern plastic guiro

Playing a large and small caxixi together

Pasquale Amato's 1911 rendition of the "Toreador Song" from Georges Bizet's 1875 opera Carmen (1875) This is Victor Matrix C-11213-1, recorded in Camden, New Jersey, on 11 September 1911, and released on a variety of labels

Triangle played Latin style

New York Blues, a "Rag Classical" for accordion composed and performed by Pietro Frosini. Record format: Edison Diamond Disc Matrix number: 4998-B-1-6 Recording date: 1916 Release number: 50454-L Release date: February 1918 NPS object catalog number: EDIS 41040 Aufnahme der Ragtime-Komposition "New York Blues" aus dem Jahr 1916, gespielt auf dem Akkordeon von Pietro Frosini Македонски: Снимка на регтајм-композицијата New York Blues („Њујоршки блуз“). Пјетро Фрозини на армоника (1916).

Lo How a Rose E'er Blooming is an English translation of the 16th/17th century German Christmas carol, "Es ist ein Ros entsprungen". Performed by the chorus of the U.S. Army Band "Pershing's Own", led by Colonel Thomas Rotondi, Jr. (Leader & Commander) and CSM Debra L. McGarity (Command Sergeant Major) ca. 2010.

Le régiment de Sambre et Meuse (circa 1870), sung by Pierre d'Assy (1872 — 1911) Lyrics: fr:Régiment_de_Sambre-et-Meuse

Instrument::celloexercise::overall quality of single notenote::c2microphone::sony pcm d-50dynamic_level::mfinstrument luthier::no name, but i was told it is a german luthiertuning reference::442.

Clave pattern

A romanized version of "w:Arirang", an unofficial national anthem of Korea, with string accompaniment.

Chromatic scales down, played on a digital piano (Yamahe CLP-470) Chromatische Tonleitern abwärts, gespielt auf einem Digitalpiano (Yamaha CLP-470)

A romanized version of "w:Arirang", an unofficial national anthem of Korea.

A sample of the traditional jazz ride pattern rhythm/

The Star-Spangled Banner (the American national anthem) being performed in 1915 by Margaret Woodrow Wilson, daughter of American President Woodrow Wilson. This recording was made as a souvenir for the Panama Pacific International Exposition and part of its profits were given to the American Red Cross. The record plate is Columbia Records number 1685 (39764). Originally manufactured by Columbia Graphophone Company.

This guy was good!.

Livery Stable Blues by the Original Dixieland Jass Band, recorded 26 February 1917. It was released on the Victor label on 7 March 1917, and was the first released jazz recording. 78 RPM, transferred to .ogg from a .mp3 file from The Internet Archive. This version has been edited to reduce the hiss. Українська: «Livery Stable Blues» від «Ориджінал диксиленд джаз-банд», записаний 26 лютого 1917 року, перший випущений джазовий запис.

Come Down Ma Evenin' Star from John Stromberg's Twirly Whirly (1902), performed by Lillian Russell. During the production of Twirly Whirly, John Stromberg delayed giving Lillian Russell her solo for several days, saying it wasn't ready. When he committed suicide a few days before the first rehearsal, the sheet music for Come Down Ma Evenin' Star was found in his pocket. It became Lillian Russell's signature song, and is the only one she is known to have recorded.

The jazz shuffle pattern, played on a ride cymbal.

sound sample of a bass bansuri played of tonic E(white three).

Four Flams (see w:Flam) performed by the United States Navy Band

Drum Cadence B performed by the United States Navy Band

Chegou a hora da fogueira, performed by Carmen Miranda and Mário Reis

Request from the5by5https://www. Freesound. Org/forum/sample-requests/39638/.

The Japanese anthem Kimi ga yo being performed in 1930. The source of the record is my personal collection. The record plate is number K1-A from Polyfar Recording. Català: Kimi Ga Yo (君が代), l'himne nacional japonès, tocat el 1930 per la Banda Militar de l'Acadèmia Militar Toyama. Čeština: Kimi ga jo (君が代), státní hymna Japonska, na nahrávce z roku 1930. (君が代), die Japanische Nationalhymne gespielt 1930 von der Militärkapelle der Toyama Armeeschule. Kimigayo (君が代), the Japanese National Anthem, as performed in 1930 by the Toyama Army School Military Band. Kimi ga yo (君が代, El reino de nuestro emperador), el himno nacional de Japón, ejecutado por la banda de la academia militar "Toyama" (1930) Suomi: Kimi ga yo (jap. 君が代), Japanin kansallislaulu, esitys vuodelta 1930. Kimi ga yo (君が代), l’hymne national du Japon, interprété par l’orchestre de l’école militaire Toyama. Italiano: Kimi ga yo (君が代, Il regno del nostro imperatore), l'inno nazionale del Giappone, nell'esecuzione della banda dell'accademia militare "Toyama" (1930) 日本語: 日本の国歌『君が代』。1930年、陸軍戸山学校軍楽隊の演奏。 Македонски: Химната на Јапонија насловена како „Кимигајо“ (君が代) во изведба на оркестарот на воена академија во Тојама (1930 г.) Кими га ё (君が代), японский национальный гимн, исполненный в 1930 году Toyama Army School Military Band. Tiếng Việt: Kimi Ga Yo (君が代), Quốc ca Nhật Bản, do Đội nhạc Quân đội của trường Quân bị Toyama trình diễn năm 1930.

John Philip Sousa's "The Gallant Seventh", composed 1922. Recording date not clear according to CD booklet, metadata suggests 1989 Українська: «The Gallant Seventh» Джона Філіпа Соузи, створена 1922 року. Дата запису не відома, згідно з буклетом компакт-диска, припускається 1989 рік.

Wax cylinder recording of a song of the "ujangong" mask dance of Papua New Guinea. Recorded by Rudolf Pöch (1870-1921), saved in the Berlin Phonogramm-Archiv.

Vérification du métallophone du jeu des 1 000 euros le 6 janvier 2022 à Saint-Chef (Isère).

w:Fairest of the Fair

John Philip Sousa's march "Comrades of the Legion" (1920), from "The President's Own" United States Marine Band's album "Semper Fidelis": Music of John Philip Sousa; Colonel John R. Bourgeois, Director

Drum Cadence A performed by the United States Navy Band

Taps played on the bugle by a member of the U.S. Army Band. It is played by the U.S. military nightly to indicate that it is "lights out". Taps became an official component of military funerals in 1874. The song accompanies a funeral procession at Arlington National Cemetery, and is generally present at most funerals.

Filtered version of a sound recorded by user ratla on an airport when the boarding pass is scanned and acknowledged. Edited the original sound with audacity and filtered away all other sounds. Request in forum: https://freesound. Org/forum/sample-requests/41349/.

Richard Strauss' Burleske (1886), performed by Neal O'Doan with the Seattle Philharmonic Orchestra in 1991. Conducted by Nico Snel.[1]

Ombra mai fu from Handel's 1738 opera Serse (a.k.a. Xerxes), sung by Enrico Caruso. Recorded 29 Jan 1920, Matrix: C-23714, Victor Cat: 88617

Bartók's Sonatina.

Ludwig van Beethoven's Piano Sonata No. 28 in A Major, Op. 101, Movement III: Langsam und sehnsuchtsvoll (Adagio, ma non troppo, con affetto) and movement IV: Geschwind, doch nicht zu sehr und mit Entschlossenheit. (Allegro) There is no pause between the two movements.

Edison yellow paraffin cylinder recording of Arthur Sullivan giving an after-dinner speech at the "Little Menlo" in London. George Gouraud had come to London to demonstrate Edison's "Perfected" Phonograph. Gouraud demonstrated the phonograph to various celebrities in a series of Phonograph Parties in the autumn of 1888 and made recordings of their reactions as messages for delivery to Thomas Edison. Arthur Sullivan (1842-1900) was one of these guests, and it is his speech to Edison that appears here. Length: 1:34 Transcription: “

Ludwig van Beethoven's Piano Sonata No. 28 in A major, Op. 101.

Csárdás, composed around 1904 by Vittorio Monti based on csárdás, a Hungarian folk dance, performed by the United States Air Force Band. Čeština: Čardáš od Vittoria Montiho (v podání The United States Air Force Band) Csárdás, componiert von Vittorio Monti um 1904 und gespielt von der United States Air Force Band Csárdás de Vittorio Monti, interprété par The United States Air Force Band Italiano: Csárdás, composizione di Vittorio Monti, registrazioni della The United States Air Force Band Македонски: „Чардаш“ од Виторио Монти (1904) во изведба на оркестарот на Военото воздухопловство на САД.

Ludwig van Beethoven's Piano Sonata No. 28 in A Major, Op. 101, Movement II: Lebhaft, marschmäßig (Vivace alla marcia) Klaviersonate Nr. 28, 2. Satz

A United States Navy Band performance of «Oh! Susanna» arranged by Senior Chief Musician Ralph Martino, Cimarron Music Press Українська: «О! Сусанна» композитора Стівена Фостера у виконанні групи ВМС США.

Nightie-night.

Toccata from L'Orfeo, composed by Claudio Monteverdi in 1607. Performers: Bangkok Baroque Ensemble Trisdee na Patalung, harpsichord and direction Siripong Tiptan, violin Omphorn Kowintha, violin Ekachai Maskulrat, cello Lertkiat Chongjirajitra, trumpet (principal) Performed at the Shangri-La Hotel, Bangkok, Thailand on December 17, 2005 Aufnahme der "Toccata" aus der frühen Barockoper L’Orfeo von Claudio Monteverdi, aus dem Jahr 2005

w:Ave Maria, performed by The w:United States Navy Band's Sea Chanters ensemble

Gesù bambino is an Italian Christmas carol composed by Pietro Yon in 1917, and translated into English by Frederick H. Martens. Performed by the chorus of the U.S. Army Band "Pershing's Own", led by Colonel Thomas Rotondi, Jr. (Leader & Commander) and CSM Debra L. McGarity (Command Sergeant Major), c. 2010.